Xavier Dolan is one of the most promising film-makers of recent time. With his first film I killed my mother he showed the prospect of turning out sincere dramatist on the silver screen. With his second outing as director, in Heartbeats or Les Amours Imaginaires, Dolan depicts another laden drama of friendship and love and other tributaries of the quasi-amorous relations.
Francis and Marie, two friends, meets Nicolas in a party and both of them felt attracted to the charming young man whose sexuality is not evident. The film goes on telling us the story where both of them pursue Nicolas as his and her lover, trying to build an image of him within their own mind according to one’s own convenience. They find other partners for, thus baring the emotional bankruptcy in the age of easy promiscuity. The generation to which Dolan himself belongs, is a generation fatigued by making love without loving and thus it is portrayed not with indifference or with hostility, but with care, how this generation flails for love all the same. Perhaps this is the strongest trait of the film.
While making a film on a subject somewhat hackneyed by overuse by all the other directors over the years, Dolan remains true to his own strength of Bach’s cello song was playing on the back, it truly elevated the film in totality. So Heartbeat should be watched not only to observe the signatures of a young promising film-maker on the silver-screen, but also to watch a very fresh take on a subject we all thought we have left behind.with tinge of experimental form. His use of humour is restrained and hence effective. The use of background music especially in a scene where
- I Killed My Mother (J’Ai Tue Ma Mere) (myoldaddiction2.wordpress.com)